He sings, he plays the instruments, he recorded the song himself and even lent a hand in directing its video. And when it works, it makes it all the more impressive.įor MorMor and his exquisite “ Heaven’s Only Wishful,” the idea of artistic vision comes through in technicolor. It makes the art ring true with a singular vision, where success and failure can come at no one’s hand but their own. In a world populated by singers, by instrumentalists, by producers, and by directors, people able to see their own project through from beginning to end have a magnetic quality. There’s something about the young musicians that can do it all. Years from now, we’ll hear this and think about this era, where both Migos and 21 Savage were young, fly, and getting the party started.– Andre Gee The decadent song is a marker of Atlanta’s dominance, with two of the city - and game’s - biggest acts at their best. Quavo slides through with auto-tuned finesse, Offset lets us know “we in the field with sticks like this Arcadia,” and unsung hero Takeoff closes everything out. His chorus set off the track in grand fashion, taking advantage of one of the rare occasions that Migos let a guest appearance set the stage for the rest of the group.Īfter 21 Savage attempts to steal the show, the three carry on with their own verses, showcasing why the Migos formula just works. Such is the case on “BBO,” a song that was often mistaken as “BBQ” the night the song dropped - until you heard 21 Savage let you know his vibe was “bad b*tches only” over an elegant sample. When three of the hottest rappers in the world take 24 chances to put some fire together, you’re going to see the flames eventually. Migos’ Culture II wasn’t quite the phenomenon that the first Culture album was, but it had its moments. Sometimes, we all still need a reminder to “ LogOut,” at least a little bit.– Aaron Williams Rather than deriding the youth for their obsession with likes and follows, they empathize with the desire to feel validated by notifications and digital props from strangers, all while acknowledging the positive effects social media has had on their own lives and careers. Maybe that’s because they’re both right in that target demographic for Instagram and Snapchat, or maybe it’s because they’re both so witty and deft with their respective pen games. On the standout from Saba’s Care For Me, the two thoughtful Chicago rappers critique Extremely Online culture while avoiding the pitfall of “get off my lawn”-ism. The algorithms probably have more control over our tastes and our bank accounts than we do, and if it’s art’s job to hold a mirror up to society, thank goodness the mirror in question is being held by Saba and Chance The Rapper. We’re all a little too invested in social media these days. She’s written for Kelly Clarkson, and last year, she joined Niall Horan on his song “Seeing Blind.” While not much of Morris’ country influence found its way into “The Middle,” her spot-on vocal performance is the highlight of the track, and proof that country musicians don’t deserve the boxes that non-fans tend to put them in.– Derrick Rossignol This isn’t entirely unprecedented, however, as Morris has stepped foot in the pop world before this. That said, you wouldn’t have guessed any of that by listening to her single with Zedd and Grey, “The Middle.” It’s an unabashed pop banger that’s become ubiquitous this year - look at its more than half a billion plays on Spotify for proof of that. That record established her as a country star: It peaked at the top of the country charts, and went all the way to No. She co-wrote a song on Tim McGraw’s 2014 album Sundown Heaven Town, then she released a self-titled EP in 2015 via Columbia Nashville, which she followed up the next year with Hero, her debut major label album. Between 20, Maren Morris released three studio albums on smaller labels, which were enough to get her noticed by the country music community.
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